Alla Prima Portrait Painting (Online Course) Winter 2025 w/ Al Gury
January 22 to February 19 (Wednesdays), 6:00 PM to 8:30 PM, Eastern Time
**All sessions are live and will be recorded, students do not have to be present. All recordings will be available to students for 3 months after the final session, after 3 months the recording will be deleted.
Please check your email spam/junk folder for your Zoom invite.
DEMO: https://youtu.be/2CJ8_7XZP8Y
Course Description
This hands on course takes the student through the skills, practice and information to improve their portraits. Each class will address an aspect of portraits: structure, getting better likenesses, master copies, anatomy, color choices and mixing, styles of portraits and expression. Art history, video demos made by the instructor, Q&A and a weekly project assignment, critiqued by the instructor, will be part of each class. This is an enjoyable weekly exploration presented by a master portrait instructor.
Course Outline
Weekly Class sessions on Zoom
1. Introduction, Q&A, Materials and Palettes, a Visual History of Portraiture, Structure of the Head and Portrait Drawing, Getting a Likeness, the Master Copy, Brush Drawing, Video Demos.
2. Q&A, Review of First Projects, Use of Photographs, Use of Color, Limited Palettes, the Value of Colors, Underpaintings, Video Demos.
3. Q&A, Review of Projects, Understanding Complexions and Color Mixing, the Full Palette, Video Demos.
4. Q&A, Review of Projects, Varieties of Composition in Portraits, the Self Portrait, Video Demos.
5. Q&A, Review of Projects, a Visual History of Expression in Alla Prima Portraits, Contemporary Portraiture Video Demos.
Weekly projects
*Portrait subjects can be from life, photographs or a master copy.
Class 1. An alla prima portrait focusing on getting a likeness and structure. Alla prima brush drawing with highlights. Subject reference: Mastercopy, photo or life.
Class 2. A limited palette alla prima portrait study focusing on understanding color mixing, value and brushwork. Subject reference: Mastercopy.
Class 3. Full color portrait study, focusing on mixing varieties of complexion colors. Subject reference: Mastercopy, photo or life.
Class 4. Full color alla prima portrait study focusing on composition and the self portrait.
Class 5. Full color alla prima portrait study focusing on expression and style of choice.
Course Materials
We will discuss materials in the first class meeting.
Basic classic palette for oil, acrylic or watercolor and pastel.
Yellow Ochre
Raw Umber
Burnt Sienna
Ivory Black
Cadmium Yellow Light
Cadmium Red Medium
Permanent Rose
Ultramarine Blue
Chromium Oxide Green
Dioxazine Purple
Titanium White
Additional optional colors:
Burnt Umber
Mars Violet
Green Earth
Cadmium Orange
Phthalo Blue
Cadmium Green
Cerulean Blue
Zinc white
Lead white
Surfaces:
Gessoed painting surfaces, 8X10-11X14, watercolor and pastel pads of choice.
Basic color surfaces are white, gray, tan. These can be opaque or transparent imprimaturas.
Containers for oil and thinners or water (Preferably metal or heavy plastic. Not glass because they break)
Palette for mixing colors (Disposable, wood, metal, etc.)
Linseed oil for oil paints
Brushes for oil, watercolor or acrylic. (3-4 well shaped and flexible bristle brushes)
Paper towels
View finder for compositional choices
Sketchbook for thumbnail sketches.
Pastel or watercolor paper if needed
January 22 to February 19 (Wednesdays), 6:00 PM to 8:30 PM, Eastern Time
**All sessions are live and will be recorded, students do not have to be present. All recordings will be available to students for 3 months after the final session, after 3 months the recording will be deleted.
Please check your email spam/junk folder for your Zoom invite.
DEMO: https://youtu.be/2CJ8_7XZP8Y
Course Description
This hands on course takes the student through the skills, practice and information to improve their portraits. Each class will address an aspect of portraits: structure, getting better likenesses, master copies, anatomy, color choices and mixing, styles of portraits and expression. Art history, video demos made by the instructor, Q&A and a weekly project assignment, critiqued by the instructor, will be part of each class. This is an enjoyable weekly exploration presented by a master portrait instructor.
Course Outline
Weekly Class sessions on Zoom
1. Introduction, Q&A, Materials and Palettes, a Visual History of Portraiture, Structure of the Head and Portrait Drawing, Getting a Likeness, the Master Copy, Brush Drawing, Video Demos.
2. Q&A, Review of First Projects, Use of Photographs, Use of Color, Limited Palettes, the Value of Colors, Underpaintings, Video Demos.
3. Q&A, Review of Projects, Understanding Complexions and Color Mixing, the Full Palette, Video Demos.
4. Q&A, Review of Projects, Varieties of Composition in Portraits, the Self Portrait, Video Demos.
5. Q&A, Review of Projects, a Visual History of Expression in Alla Prima Portraits, Contemporary Portraiture Video Demos.
Weekly projects
*Portrait subjects can be from life, photographs or a master copy.
Class 1. An alla prima portrait focusing on getting a likeness and structure. Alla prima brush drawing with highlights. Subject reference: Mastercopy, photo or life.
Class 2. A limited palette alla prima portrait study focusing on understanding color mixing, value and brushwork. Subject reference: Mastercopy.
Class 3. Full color portrait study, focusing on mixing varieties of complexion colors. Subject reference: Mastercopy, photo or life.
Class 4. Full color alla prima portrait study focusing on composition and the self portrait.
Class 5. Full color alla prima portrait study focusing on expression and style of choice.
Course Materials
We will discuss materials in the first class meeting.
Basic classic palette for oil, acrylic or watercolor and pastel.
Yellow Ochre
Raw Umber
Burnt Sienna
Ivory Black
Cadmium Yellow Light
Cadmium Red Medium
Permanent Rose
Ultramarine Blue
Chromium Oxide Green
Dioxazine Purple
Titanium White
Additional optional colors:
Burnt Umber
Mars Violet
Green Earth
Cadmium Orange
Phthalo Blue
Cadmium Green
Cerulean Blue
Zinc white
Lead white
Surfaces:
Gessoed painting surfaces, 8X10-11X14, watercolor and pastel pads of choice.
Basic color surfaces are white, gray, tan. These can be opaque or transparent imprimaturas.
Containers for oil and thinners or water (Preferably metal or heavy plastic. Not glass because they break)
Palette for mixing colors (Disposable, wood, metal, etc.)
Linseed oil for oil paints
Brushes for oil, watercolor or acrylic. (3-4 well shaped and flexible bristle brushes)
Paper towels
View finder for compositional choices
Sketchbook for thumbnail sketches.
Pastel or watercolor paper if needed
January 22 to February 19 (Wednesdays), 6:00 PM to 8:30 PM, Eastern Time
**All sessions are live and will be recorded, students do not have to be present. All recordings will be available to students for 3 months after the final session, after 3 months the recording will be deleted.
Please check your email spam/junk folder for your Zoom invite.
DEMO: https://youtu.be/2CJ8_7XZP8Y
Course Description
This hands on course takes the student through the skills, practice and information to improve their portraits. Each class will address an aspect of portraits: structure, getting better likenesses, master copies, anatomy, color choices and mixing, styles of portraits and expression. Art history, video demos made by the instructor, Q&A and a weekly project assignment, critiqued by the instructor, will be part of each class. This is an enjoyable weekly exploration presented by a master portrait instructor.
Course Outline
Weekly Class sessions on Zoom
1. Introduction, Q&A, Materials and Palettes, a Visual History of Portraiture, Structure of the Head and Portrait Drawing, Getting a Likeness, the Master Copy, Brush Drawing, Video Demos.
2. Q&A, Review of First Projects, Use of Photographs, Use of Color, Limited Palettes, the Value of Colors, Underpaintings, Video Demos.
3. Q&A, Review of Projects, Understanding Complexions and Color Mixing, the Full Palette, Video Demos.
4. Q&A, Review of Projects, Varieties of Composition in Portraits, the Self Portrait, Video Demos.
5. Q&A, Review of Projects, a Visual History of Expression in Alla Prima Portraits, Contemporary Portraiture Video Demos.
Weekly projects
*Portrait subjects can be from life, photographs or a master copy.
Class 1. An alla prima portrait focusing on getting a likeness and structure. Alla prima brush drawing with highlights. Subject reference: Mastercopy, photo or life.
Class 2. A limited palette alla prima portrait study focusing on understanding color mixing, value and brushwork. Subject reference: Mastercopy.
Class 3. Full color portrait study, focusing on mixing varieties of complexion colors. Subject reference: Mastercopy, photo or life.
Class 4. Full color alla prima portrait study focusing on composition and the self portrait.
Class 5. Full color alla prima portrait study focusing on expression and style of choice.
Course Materials
We will discuss materials in the first class meeting.
Basic classic palette for oil, acrylic or watercolor and pastel.
Yellow Ochre
Raw Umber
Burnt Sienna
Ivory Black
Cadmium Yellow Light
Cadmium Red Medium
Permanent Rose
Ultramarine Blue
Chromium Oxide Green
Dioxazine Purple
Titanium White
Additional optional colors:
Burnt Umber
Mars Violet
Green Earth
Cadmium Orange
Phthalo Blue
Cadmium Green
Cerulean Blue
Zinc white
Lead white
Surfaces:
Gessoed painting surfaces, 8X10-11X14, watercolor and pastel pads of choice.
Basic color surfaces are white, gray, tan. These can be opaque or transparent imprimaturas.
Containers for oil and thinners or water (Preferably metal or heavy plastic. Not glass because they break)
Palette for mixing colors (Disposable, wood, metal, etc.)
Linseed oil for oil paints
Brushes for oil, watercolor or acrylic. (3-4 well shaped and flexible bristle brushes)
Paper towels
View finder for compositional choices
Sketchbook for thumbnail sketches.
Pastel or watercolor paper if needed